When I'm not creating ads, you can catch me covered in paint, painting faces I see all around.

In this oil painting, the attention drawn to the eyes represents the social pressure that directs many people’s lives and makes them query their own truths.

In this oil painting, the attention drawn to the eyes represents the social pressure that directs many people’s lives and makes them query their own truths.

Three people looking directly at the viewer, with a realistic approach. They represent the “reality,” the image we see from the outside. As they are the last diagonal line of the order, at this point the viewer is only allowed to see the unpeeled sel

Three people looking directly at the viewer, with a realistic approach. They represent the “reality,” the image we see from the outside. As they are the last diagonal line of the order, at this point the viewer is only allowed to see the unpeeled selves of these portraits.

These three pieces of portraits represent individuals’ inner selves and their cores after shelling all the shields around them. In order to symbolize the idea of peeling layers, I avoided using skin tones and let the colorful palette seem like the su

These three pieces of portraits represent individuals’ inner selves and their cores after shelling all the shields around them. In order to symbolize the idea of peeling layers, I avoided using skin tones and let the colorful palette seem like the surface under our skin.

This group of artworks draws attention to the superficiality of human relations and interactions. We judge and make assumptions about everyone without seeing the whole picture. We never try or want to see the rest of the face.

This group of artworks draws attention to the superficiality of human relations and interactions. We judge and make assumptions about everyone without seeing the whole picture. We never try or want to see the rest of the face.

The human figures are intertwined together at the center of the panel, representing our interrelating feelings and thoughts of ourselves. The painting has the irony of pleasing complexity, which is similar to human nature. The eyes can never lie abou

The human figures are intertwined together at the center of the panel, representing our interrelating feelings and thoughts of ourselves. The painting has the irony of pleasing complexity, which is similar to human nature. The eyes can never lie about one’s personality. As I choose to draw the figures eyeless, it emphasizes artificial relationships and factitious feelings.

Portrays the viewers’ arrival to the true essence of self. The lack of skin tones represents humans' core identity which is shown with the use of color and brush strokes. The figure's positioning depicts the want humans have to find their unique colo

Portrays the viewers’ arrival to the true essence of self. The lack of skin tones represents humans' core identity which is shown with the use of color and brush strokes. The figure's positioning depicts the want humans have to find their unique colors.

The girl in the artwork is represented as if she is trying to escape her thoughts and feelings, creating a chaotic atmosphere with the choice of color and texture. The saturated color of pink with different hues shows the disruptive power of self.

The girl in the artwork is represented as if she is trying to escape her thoughts and feelings, creating a chaotic atmosphere with the choice of color and texture. The saturated color of pink with different hues shows the disruptive power of self.

We prefer to stay on the surface, where we feel safe. Most relationships are artificial and distant. I was inspired by Juan Gatti while creating this piece. The colorless coat at the bottom is the unseen side of people, which avoids recognition. The

We prefer to stay on the surface, where we feel safe. Most relationships are artificial and distant. I was inspired by Juan Gatti while creating this piece. The colorless coat at the bottom is the unseen side of people, which avoids recognition. The upper surface is the place that attracts people's attention in the daylight yet receives all the dash and defamation. It allows the viewer to go behind the artificial surface and be a part of the shelling process.